screen printed cover designed by F#X
includes inlay designed by Nika Son
Gavin Weiss Mastering
Boomkat Product Review:
Mesmerising, sui generis noumena from a mongrel duo of Püdel regulars, F#X/E.K.G. and Nika Son, a.k.a. C for Nina and good news' V I S label, together building on a collaborative practice developed during and since they were commissioned for an installation in a Hamburg gallery.
Their Tennõ EP is a result of haptic and synthesised inputs generated from a variety of tape-machines, filters, self-made physical resonators, synths, drum machines and vocals, yet you’d be hard pushed to pick out where and how those “instruments” are used in the abstract, amorphous fabric of their compositions.
Submitting to their sound is like going in blind, giving yourself up to their fancy. Across the front Geroll revolves a central knot of a hip hop break which seems to freeze and thaw in and out of focus like some lost joint from Spectre’s The End album left to fend for itself on the high plains, ending up stomping itself into an acid wormhole.
On the other side, even the rhythmic handrail is extinguished with Diphtongues, plunging us into deepest indigo drones and a bath of glossolalic texturhythm acutely recalling Tongues of Light’s amazing Channelled Message at the End of History record, before spinning out along multiple vectors at once like a six-handed Valerio Tricoli in Tennõ.
Nine tracks which defy Linnaean nomenclature; hurtling between vellum-thin ambient cuts and cataclysmic, Vorticist assemblies; heliotropic vocal samples, woven delicately between feldspathic percs. Sideman Deejay
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